I’ve had bombs lobbed at me, I didn’t particularly care then what they believed, I just helped to send as many of them to meet Allah as possible.
Grow the hell up already.
Oooops really hit a nerve there didn’t I
No, you’re just pathetic even when you’re not lying. You’re just a petulant snotty child.
Wasn’t FDR the President that wouldn’t allow a passenger ship of ■■■■ to dock in the U.S. only later to be sent to the Nazi " Health Spas".
That would be he. “Voyage of the damned”, great movie. USS St. Louis.
They were bound for Cuba, but then Cuba, the US and several other countries rejected them. Eventually the UK, Holland, France, Belgium all accepted some of them but all that didn’t get off in the UK ended up in the concentration camps after the Nazis invaded and occupied each of them.
Some 350 give or take that went to the UK survived the war, most of the rest died in the camps.
The US President knew Nazi Germany was not mistreating ■■■■■
In fact, they were not.
Yeah Digi, The Nazis gave them "PREFERENTIAL TREATMENT " in Auschwitz.
Camp Orchestras
There were six camp orchestras at Auschwitz/Birkenau alone, one of which contained no less than 100-120 musicians. The Jerusalem Post recorded one inmate’s memory: In 1943, the later Professor Daniel K. was only 10 years old when he participated in the children’s choir – as the Jerusalem Post recorded: “The Chorale (from Beethoven’s Ninth Symphony) was… performed by a ■■■■■■ children’s choir at Auschwitz-Birkenau in 1943… I was a member of that choir… I remember my first engagement with culture, with history, and with music – in the camp.”
In March 1944 the Auschwitz inmate Daniel K. became severely ill with diphtheria and was transferred to the camp’s hospital barracks. His mother had asked to be transferred to stay with him in the hospital. After the war he recalled how, “One of the youth leaders of our group … asked to establish an education centre for children. He was given permission, and in a short time the education centre became a spiritual and social centre for the family camp. It was the soul of the camp. Musical and theatrical performances, including a children’s opera, were held at the centre. There were discussions of various ideologies – Zionism, Socialism, Czech nationalism… There was a conductor named Imré… (who) organized the children’s choir. Rehearsals were held in a huge washroom barracks where the acoustics were good…”
Auschwitz had an orchestra for the prisoners and the inmates were the musicians.
Camp Orchestra (USHMM 81216, courtesy of Instytut Pamieci Narodowej)
The existence of orchestras, not only in Auschwitz but in all other camps, is confirmed by the Enzyklopaedie des Holocaust , p. 979.
A Camp Theatre
On weekends at the camp cinema, mainly cultural and non-political films were shown. One ex-occupant recalled how: “There was a library with newspapers. A violin quartet came to play in the barracks. They even ‘made a movie’ in the camp. Some evenings they brought in German movies…” Theatrical performances, including a children’s opera, were held at the centre, plus a camp theatre, where a rather saucy review was held on Saturdays. Today a convent of Carmelite nuns dwells there. The last pictures taken inside showed pianos and costumes and a stage where the inmates used to put on productions. One ‘survivor’ recalls having been an orchestra musician: “ A grand piano was brought into Block 1, and downstairs from it there was the Theatre. The inmates made a stage curtain. They staged plays which were ‘very peaceful,’ and some composed music.” (Source: Steven Spielberg Film and Video Archive)
Auschwitz camp theatre where live plays were performed by camp inmate actors.
The camp choir, recruited from the workers at the IG Farben factory at Auschwitz. All well-fed.
A stage performance at Auschwitz, dated by the German Federal Archive Service as “1941/1944.
A camp cinema – where every week different, mainly cultural and non-political films were shown.
Marc Klein, the French Professor of medicine at the University of Strasbourg, published two recollections of his incarceration at the Auschwitz camp. He first submitted them “to the reading and scrutiny of Robert Weil,” a science professor who had been interned in the same camps, for verification. His account told how, “At a cinema, news movies of the Nazis were presented as well as sentimental movies. There was a rather popular cabaret doing frequent presentations, which were often even visited by SS-staff. Finally, there was a remarkable orchestra, which was manned with Polish musicians during the first time, which later were replaced by a group of first class musicians of all nationalities, the majority of them being ■■■■■■■■
Auschwitz had an artist studio .
“Art in Auschwitz 1940-1945.”
The camp commandant provided a studio and the equipment which produced thousands of paintings and sketches. The Auschwitz museum has 1470 painting, but none are displayed.
A rash of absurd paintings, that were sketched after 1945 are pushed on a gullible public.
A camp library where inmates could borrow books from forty-five thousand volumes available.
Camp library
Here is an image of the camp library at Dachau:
Camp religious facilities made available on a rotating basis to every denomination for religious services.
Camp sport facilities like soccer fields, handball areas, fencing classes and other exercise facilities.
A fencing tournament for prisoners at Auschwitz (note the sign in the background). Photograph from 1944.
There were prisoners from all over the world at Auschwitz, not just ■■■■■ The camp had originally been built to accommodate Polish Prisoners of War, and later had many Russian POWS arrive as well. Above, the British POW soccer team at Auschwitz pose for their group photograph.
Auschwitz United: Soccer & gas chambers
“A football pitch, on a big clearing immediately to the right of the road, was particularly welcome. Green turf, the requisite white goalposts, the chalked lines of the field of play — it was all there, inviting, fresh, pristine, in perfect order. This was latched onto straightaway by the boys as well: Look here! A place for us to play soccer after work.”
— Imre Kertész, Hungarian ■■■■ Holocaust survivor and Nobel Prize winner, on his reaction to first seeing the Auschwitz-Birkenau football pitch in 1944 aged 14 (Kertész, Imre. Fatelessness. Harvil Publishers, London. 2005 (originally 1975 in Hungarian). p.89.
Two ■■■■■■ “Holocaust survivors” discuss football at Auschwitz-Monowitz and Gross-Rosen.
The Auschwitz Swimming Pool
A camp swimming pool for use by the inmates on Birkenallee, where there were walkways with comfortable benches for inmates to relax in the shade of the trees.
In 1947 a ■■■■■■ Auschwitz survivor, stated Auschwitz had a swimming pool:
“The working hours were modified on Sundays and holidays, when most of the kommandos were at leisure. Roll call was at around noon; evenings were devoted to rest and to a choice of cultural and sporting activities. Football, basketball, and water-polo matches (in an open-air pool built within the perimeter by detainees) attracted crowds of onlookers. It should be noted that only the very fit and well-fed, exempt from the harsh jobs, could indulge in these games which drew the liveliest applause from the masses of other detainees.” — Marc Klein De l’Université aux camps de concentration: Télmorgnages strasbourgeois, Paris, les Belles-lettres, 1947, p. 453
A wartime detainee and, like M. Klein and R. Weil, a ■■■ himself, confirmed, in a short testimony written in 1997 entitled “Une Piscine ¦ Auschwitz,” that he saw, in July 1944, dozens of his fellow prisoners busy at work on the said pool which, he pointed out, had “a diving board and an access ladder”; he could have added “along with three starting blocks for races.”
He wrote that towards the end of that month “a newsreel director had some deportees filmed swimming there.” As one might expect, he enlivened his account with the regular stereotypes of the SS men’s or kapos’ brutality and he saw in the making both of the pool and of the film nothing but a propaganda operation. His report ends with two interesting remarks. First, that in 1997 no guide was “aware” of the pool (which nonetheless stands right before the guides’ very eyes and of which a photograph accompanies the article: we read that this picture, showing a swimming pool full of water, was taken in that year) and that the author would like to know just where the newsreel might be today. His question is akin to those put by some revisionists: might the film not be “at the headquarters of the International Red Cross”? Doubtless he meant: at the International Tracing Service (ITS) located at Arolsen-Waldeck in Germany and operating under the direction of the International Committee of the Red Cross (ICRC), with headquarters in Geneva. Since 1978, this body has barred revisionists from its archives, which are known to be an exceptionally rich resource. For its part, the Auschwitz State Museum probably possesses documentation relevant to various aspects of this swimming pool’s construction, e.g. the project, the plans, the financing, the requests for and the supply of building materials, the requisition of laborers, the inspection visits.
(Reference for this account: R. Esrail, registration no. 173295, – Une piscine, Auschwitz, in Aprës Auschwitz (Bulletin de l’Amicale des dëportës d’Auschwitz), n 264/octobre 1997, p. 10).
http://rense.com/general24/controversy.htm
Auschwitz museum giving out misinformation about their swimming pool
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Why no pictures of the ovens and showers( Gas Chambers) or of hanging ■■■■■ Didn’t that happen???
So-called ovens and gas chambers were hastily built by Polish workers after the war.
The Poles did a very sloppy job and drilled holes on the roof of a storage building to match the narrative of “gas chamber” that SS poured in Zyklon B pellets. But the Poles hit the steel beam and couldn’t drill holes as planned.
(Zyklon B pellets don’t do squat to humans.)
Photos taken by the Allied planes during the war show the buildings without such additional work done after 1945.
We know that to be a lie, the holocaust is the most well documented series of atrocities in the history of warfare.
Digi, Inhale some and put it on video!!!
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Nope…
You can’t, even if you wanted.
Zyklon B was in pellets in Germany.
A fumigation team in New Orleans, 1939. Zyklon canisters are visible.
Zyklon B was a common agricultural chemical which Germans used to kill fleas and lice.
They also killed about 11 million innocent civilians with it.
Phostox, Chlordane and Malathion used in an enclosed space will kill humans too.
Humans are just as unacceptable to nerve agents as insects.
■■■■■■ scholar Arno Mayer, a professor of history at Princeton University, acknowledges in his 1988 book about the “final solution” that more ■■■■ perished at Auschwitz as a result of typhus and other “natural” causes than were executed.
Inmates Released
More than 200,000 prisoners were transferred from Auschwitz to other camps, and about 8,000 were in the camp when it was liberated by Soviet forces. In addition, about 1,500 prisoners who had served their sentences were released, and returned to their home countries. If Auschwitz had actually been a top secret extermination center, it is difficult to believe that the German authorities would have released inmates who “knew” what was happening there.
